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Mogwai have a nice line in great venues. They give their acolytes the opportunity to see them in the grandeur of the Royal Albert Hall, the back-to-roots basement-dive-vibe of the ICA, the faded seaside funpalace of Camber Sands, and most recently for me the open air stateliness (in SurroundSound!) of Somerset House. So it was to Antwerp for a long weekend that culminated in Mogwai playing the open-air amphitheatre (Openluchttheater) of the Rivierenhof, a large forested park to the east of the city.

Mogwai bring a particularly wet and windy August to a close by laying on arguably the best ‘summer’ weekend of the year – Antwerp weekend (priority version).
Unfortunately, after a couple of days spent sampling the Bourgondian multitude of Belgian beers in glorious sunshine, rain is forecast for the evening of Mogwai’s performance. However on arrival in the park that threat looks far off, and although the clouds gather with purpose, support act Motek play to a glorious sunset – the sky an apocalyptic orange over the tall trees that surround this superb venue. There’s booze, food and even blow-up cushions to aid our comfort, it’s just a shame that there is a Mogwai-inconducive sound-level restriction on the Openluchttheater’s PA.

As the band launch into opener “The Precipice” the first drops of rain are felt, prompting the better-prepared amongst us to scrabble for their micropacked ponchos. But Murphy’s Law is repealed after just a few minutes, and although a few more droplets fall during another new song – “Scotland’s Shame” – it is only during the tram ride back to town that the ground properly gets a soaking.

New songs are interspersed with highlights from Mogwai’s thirteen-year existence, and I’m particularly happy to hear ancient artifact “Ithica 27Φ9” played again, guitarist John Cummings and bassist Dominic Aitchison swapping instruments and the band concisely displaying their vice-like grasp of dynamics. They’re all obviously enjoying themselves a lot more than the night previous, a festival in Utrecht where they played in front of 500 Babyshambles fans – Stuart Braithwaite describes it as a “dispiriting experience” (anti-Babyshambles boo follows :)

During the guitar-and-lights assault of “Like Herod”, whose second half usually feels like the sudden arrival of a fierce storm, the wind picks up considerably, swirling through the dark looming trees that encircle us. New single “Batcat” follows, crunching guitars propelled along by the gusting wind, and is easily my favourite of the new songs that I hear for the first time tonight. Every Mogwai album needs its heavyweight anchor, and like “We’re No Here”, “Ratts Of The Capital”, “You Don’t Know Jesus”, and the heaven-and-hell “My Father, My King” before it, this for me is Mogwai at their best, when they wield their guitars as weapons and threaten to bring it all down around us.

As soon as we hit the eye-of-the-storm with “Helicon 2” and a cracked & fragile “Cody”, the wind dies away just as quickly as it had appeared…

The aforementioned mountain-mover “We’re No Here” is the last song of the night and ends in their customary feedback frenzy, the massed amps taking over from the restrained PA and giving us some proper Mogwai volume. John, always last to leave the stage (as the man charged with putting Part Chimp down on tape he must have armour-plated ears), is hailed with inflatable cushions – he ‘fights’ back, and then it’s over, and we’re in a dark forest at night. Into the trees…

The setlist can be found at the excellent brightlight! fansite here. And of course YouTube has some shaky handheld footage of a few of the songs…


Here is Mogwai in session for the Rob Da Bank show on BBC Radio 1 (18 August 2008), recorded live in the BBC’s Maida Vale studio:


Mogwai – Batcat (Rob Da Bank session)

Mogwai – I’m Jim Morrison, I’m Dead  (Rob Da Bank session)

Mogwai – The Precipice (Rob Da Bank session)

Mogwai – Mogwai Fear Satan (Rob Da Bank session)



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