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An aural overview of some of my favourite records of 2009 is now available on the Mixtapes page. Go forth safe in the knowledge that it is an Animal Collective/Fever Ray/the xx-free zone…

And in thinking back on another year that fizzed by, yet was again punctuated by many wonderful live music experiences, I couldn’t resist coming up with a list of those that seemed extra special. When I’m standing in a crowd, washed over by waves of sound, I often think that this is as close to religion as I’m ever gonna get. The shared experience with one’s fellow concert-goers (who in that moment don’t seem to to be the greedy, selfish, stupid creatures that many of us are), seeing, hearing, feeling what is arguably humankind’s greatest artistic expression (I’m talking about Music, not David Yow’s bodily fluids), well it makes me feel good to be alive. These are ten instances where that feeling came on particularly strong – if you were there, you know what I mean…

The Jesus Lizard, Dälek, Grails, Magnolia Electric Co, Sonic Youth

l-r: (top) David W Sims of The Jesus Lizard, Dälek (middle) Grails
Magnolia Electric Co (bottom) Sonic Youth

Dälek @ Sonic City festival, De Kreun, Kortrijk, Belgium (04 April 2009)
Over an early-April weekend, Dälek curated their own ATP-like mini festival in the Belgian city of Kortrijk, bringing together friends & heroes like 2nd Gen, Earth, Zu and Charles Hayward – but it was the curators themselves (assisted by buddies Oddateee and Destructo Swarmbots) that stole the show with their industrial-strength beats & dense rhymes smothered in an avalanche of noise.

Grails @ ATP: The Fans Strike Back festival, Butlins Minehead, UK (10 May 2009)
Highlight (one of many) of an ATP that delivered so much. Extra percussionist Dave Abramson allowed Emil Amos to switch between guitar and drums, and Sunn O))) soundman Randall Dunn manned the analogue synths, creating the sample-filled dronescapes that linked the songs into a single thrilling journey through exotic otherlands.

The Jesus Lizard @ ATP: The Fans Strike Back festival, Butlins Minehead, UK (10 May 2009)
The night before, the Lizard’s first show in some ten years, was something special for its sense of occasion and because the band delivered on all expectations. But this show seemed that bit better, like they rocked a little harder, a little tighter, a little shinier. But maybe only because I was able to properly focus on rawk-ing along, instead of standing transfixed like a mouth-breathing happy bunny caught fluff-fluffing in the headlights thinking “oh my god! It’s the Jesus Lizard!!!” …

Magnolia Electric Co. @ Primavera Sound festival, Barcelona, Spain (29 May 2009)
Good times in the sweltering Spanish sunshine. The ever-affable Jason Molina and his Magnolia cohorts ‘classic country rock’-ed their way through much of “Josephine“, and although you’ll never hear Molina revisit Songs: Ohia material, at least they delved into the recent past for nuggets like “Leave The City”, “Hard To Love A Man” & “The Dark Don’t Hide It” – and were demanded back by the baying crowd for an encore of “Hammer Down”.

Sonic Youth @ Primavera Sound festival, Barcelona, Spain (30 May 2009)
Wow! With Pavement bassist Mark Ibold in the line-up, Kim Gordon (one hot [gran]mama in ripped stockings) could switch between adding extra guitar attack-ack-ack or double bass thump to the Yoof’s swirling noiserock. The whole show thundered by as though a blissed-out daydream, the crowd seemingly surfing on an euphoric wave of energy. Songs from “The Eternal”  made up the majority of the set, but it was oldies like “‘Cross The Breeze”, “Tom Violence” and closer “Expressway To Yr Skull” that had my grin at its widest.

Neurosis @ Patronaat, Haarlem, the Netherlands (08 July 2009)
Launching with “At The End Of The Road”, Neurosis quickly constructed a towering wall of sound, but the intricate interplay of the instruments was never lost in the din. The set is “Given To The Rising”-HEAVY (prompting a positive re-evaluation of an album that sorta passed me by), the atmosphere dark and oppressive – not least because the band have it written into their agreement with the venue that all airco is turned off during their set, making for a sweaty & claustrophobic experience.

Oneida @ Paradiso, Amsterdam, the Netherlands (14 August 2009)
The Little “O” seemed to be having a particularly good time (pleased too that the Big “O” was playing the main hall downstairs at the same time), the positive energy emanating from the stage proving infectious. Oneida sure know how to work a rifftastic groove, and man can that Kid Millions play the drums.

Micah P Hinson @ Toutpartout 15 Years Birthday Night, Botanique, Brussels, Belgium (28 November 2009)
Micah P‘s self-confessional and intimate songs were perfectly suited to the amazing Rotunda room in the Botanique (situated in the botanical gardens of Brussels), surely one of the best live music venues around. He played plenty off covers album “All Dressed Up And Smelling Of Strangers“, paying tribute to his musical heroes & influences, including “coked-up airplane pilot” John Denver with a goosebump-inducing rendition of “This Old Guitar”.

Six Organs Of Admittance @ 10 Years of ATP festival, Butlins Minehead, UK (11 December 2009)
The joke round these parts goes: although I’m an appreciator of the axe-wielding babe-ness of Elisa Ambrogio, I’d much rather shack up with her beau Ben Chasny. Well there was no Elisa this time, but aided by Alex Nielsen’s expressive drumming and the baritone guitar of Andrew Mitchell, Chasny delivered the highlight of the festival – well, at least until Shellac came, saw & conquered two days later.

Shellac @ 10 Years of ATP festival, Butlins Minehead, UK (13 December 2009)
About as perfect as a rock show can be. They’ve got the tunes, they play together as though they’ve discovered the ability to mind-meld, shit there’s even choreography (Albini’s impression of a slowed-down-then-sped-up-tape is spot on). And inbetween the ‘minimalist hard rock’ songs that make you wanna bang your head, they are just fuckin’ funny – Shellac stage-banter is second only to that of Warren Ellis in laugh-out-loud comedy gold.

Todd Trainer: “Do I look like I can fuck??!!”
Albini: “He’s being modest – he’s a genetically-engineered machine designed to only fuck and play drums. He’s the result of a gene-splicing experiment conducted on Gene Krupa and one of those earth-moving machines…”

Neurosis, Micah P Hinson, Oneida, Shellac, Six Organs Of Admittance

l-r: (top) Neurosis (middle) Micah P Hinson, Oneida
(bottom) Shellac, Six Organs Of Admittance

Of course, this list omits many other memorable experiences. Sheeee-it, I saw The Jesus Lizard in three different countries, the always-awesome Shellac the same. There was Sunn O)))’s Atilla Csihar creating an incredible piece of performance art with his cloak of mirrors, lasered-claws and mesmerising mix of hellish growls, throat singing & Gregorian-style chanting. Sleep (temporarily) reunited! Nick Cave playing stripped-down versions of Bad Seeds songs (backed only by Warren Ellis & Martyn P Casey), interspersed with readings from his latest novel. Two fantastic ATPs with a Primavera in balmy Barcelona sandwiched inbetween. Anti-Pop Consortium transposed from Nieuw Haarlem to the Old. And many more great nights out in the various ‘poppodia’ in an around Amsterdam. Huge gratitude to all those that made these happen.



Having once been a relatively enthusiastic proponent of the end-of-year ‘best of’ list, a few years ago I stopped putting these together in favour of just creating an aural review of releases I particularly liked in the form of a CD compilation. I suppose I rejected the idea of trying to rank the year’s releases, to come up with the ‘best album’ of that particular year, as this was forcing me to evaluate the music on a critical/intellectual level that doesn’t work for me – for me music is about feeling; from wanting to bang my head or creep myself out, from getting goosebumps of euphoria to twinges of melancholy… But I suppose it is sacrilege for a music-related blog to come to the end of a year and not attempt some sort of round-up, so rather than create a ranked list justified by socio-political contexts or clever meta-musical references, these are the records (in no particular order) and live performances that have rocked / droned / folked up / brokebeat / hiphopped my world in 2007, that have made me feel



Top 25 Albums of 2007


NarcoAgent Top 25 Albums of 2007

from top, l-r:

Magnolia Electric Co : “Sojourner” boxset (Secretly Canadian)

PJ Harvey : “White Chalk” (Island)

Angels Of Light : “We Are Him” (Young God)

Low : “Drums And Guns” (Sub Pop)

Liars : “Liars” (Mute)

Mammal : “Lonesome Drifter” (Animal Disguise)

Grinderman : “Grinderman” (Mute)

Boris with Michio Kurihara : “Rainbow” (Pedal/Drag City)

El-P : “I’ll Sleep When You’re Dead” (Definitive Jux)

Vic Chesnutt : “North Star Deserter” (Constellation)

Nina Nastasia & Jim White : “You Follow Me” (Fat Cat)

Om : “Pilgrimage” (Southern Lord)

Scout Niblett : “This Fool Can Die Now” (Too Pure)

Shellac : “Excellent Italian Greyhound” (Touch & Go)

Epic45 : “May Your Heart Be The Map” (Make Mine Music)

Magik Markers : “Boss” (Ecstatic Peace!)

MIA : “Kala” (XL)

Sigur Rós : “Hvarf-Heim” (EMI)

Stars Of The Lid : “And The Refinement Of Their Decline” (Kranky)

Jesu : “Conqueror” (HydraHead/Daymare)

Alela Diane : “The Pirate’s Gospel” (Holocene/Names/Fargo)

Six Organs Of Admittance : “Shelter From The Ash” (Drag City)

Bracken : “We Know About The Need” (Anticon)

Future Of The Left : “Curses” (Too Pure)

Earth : “Hibernaculum” (Southern Lord)




Top 5 EPs/Singles of 2007


NarcoAgent Top 5 EPs of 2007

l-r:

Efterklang : “Under Giant Trees” (Leaf)

Zonderhoof : “Zonderhoof” EP (Sound Devastation)

Joanna Newsom : “Joanna Newsom & The Ys Street Band” EP (Drag City)

Bonnie ‘Prince’ Billy : “Ask Forgiveness” EP (Drag City/Domino)

Jesu : “Sundown / Sunrise” EP (Aurora Borealis/Daymare)

 



Top 10 Gigs of 2007


NarcoAgent Top 10 Gigs of 2007

Future Of The Left + Infants @ The Luminaire, London (10 March 2007)

Josh T Pearson @ ATP festival, Minehead (27 April 2007)

Nick Cave / Grinderman @ ATP festival, Minehead (28 April 2007)

Dirty Three @ ATP festival, Minehead (29 April 2007)

Scout Niblett @ Bush Hall, London (21 May 2007)

Isis + Boris @ Koko, London (02 July 2007)

Liars @ Madame Jo Jo’s, London (03 July 2007)

Six Organs Of Admittance @ Paradiso (bovenzaal), Amsterdam (12 August 2007)

Sonic Youth do “Daydream Nation” @ The Roundhouse, London (30 August 2007)

Jesu @ Paradiso (bovenzaal), Amsterdam (05 December 2007)


Correctly guess which picture was taken at which gig and I will send you a copy of my “Best of 2007” 2CD compilation (once I’ve pulled my finger out of my ass and actually made the thing). Use the contact form on the Disclaimer page to submit your ‘entry’.



I’ve written previously how Mogwai served up my last live experience as a Londoner, yet I was but a month-old Amsterdammer before I found myself back in Blighty’s capital at one of it’s most venerable live music institutions – the Roundhouse, home to (apparently) classic gigs by the likes of Jimi Hendrix, the Doors (their only UK show), Pink Floyd, Led Zeppelin, David Bowie (and where My Bloody Valentine will be making their live comeback) – for Sonic Youth‘s run-through of their 1988 album “Daydream Nation“.
Daydream Nation” is considered by many to be Sonic Youth’s finest – personally, that honour goes to the previous year’s “Sister“, but “Daydream Nation” is undoubtedly a landmark work, a greater-than-the-sum-of-its-parts collection of alternatively-tuned anthemic rock songs, housed in an iconic sleeve courtesy of the candles of Gerhard Richter

My one previous live Sonic Youth experience was extremely disappointing – a set of pretentious art-wankery & extreme self-indulgence at the Mogwai-curated All Tomorrow’s Parties festival in 2000, that most likely had the entire audience ticking it off as ‘worst gig of the year’. So I’m really hoping I don’t get burned again, but figure that this Don’t Look Back song-for-song recreation is a safe bet – after all, I know exactly what is going to be played! (not that the Don’t Look Back concept takes the fun out of gig-going – sure you know what is going to be played & in what sequence, but it is the observation of the music in a live context that truly brings it alive, and allows one to marvel at the insight into the how of its creation).

From the opening jangle of “Teen Age Riot” I know I’m in for a treat, and by that song’s end – which has Thurston Moore and Lee Ranaldo clashing their guitars like lightsabres while the feedback squalls around them – the goosebumps are in full force.

Sonic Youth - Daydream Nation @ the Roundhouse, London (30-08-2007)

The songs really rock, with seemingly more energy than the recorded versions – which makes sense as the band (all so comfortable with their instruments, effortlessly throwing out scorching riffs and striking rock-god poses without even trying) are feeding off the energy of the appreciative audience. When they launch into “‘Cross The Breeze” most of the crowd seem to jump for joy as one, all privately singing along with Kim Gordon: “Let’s go walking on the water / Now you think I’m Satan’s daughter…”

Fifth song in and I’m hit by the revelation that it’s Ranaldo’s vocal (and lyrics) on “Eric’s Trip” – something I’d never before thought about, always just assuming it was Thurston, the same going for “Hey Joni” and “Rain King” – but these are clearly Ranaldo’s songs, fleshed out with the precision pound of Steve Shelley and rapidfire riffs of Kim & Thurston. The band even recreate the musique concrete of “Providence”, Thurston manipulating a recording through a small guitar amp.

Sonic Youth - Daydream Nation @ the Roundhouse, London (30-08-2007)

Then the guitar-string-squeal opening of “The Wonder” leads us into the closing Trilogy of songs, “Hyperstation” being the evening’s slower-burning highlight and “Eliminator Jr.” (probably the ‘people’s favourite’ on the album) getting the crowd into one last headbanging frenzy.

The band do return for an encore of more recent songs closed off with a strangely out-of-tune “Schizophrenia” (my favourite SY song sadly not done justice this night), but this doesn’t add to the experience – the blissed out hour-and-a-quarter of “Daydream Nation” itself was all we needed to be sent out euphoric into the night.



Here is “‘Cross The Breeze“, recorded live at the Noise Now Festival in Düsseldorf, Germany on 27 March 1989 (and released on the Deluxe Edition re-issue of “Daydream Nation”):


Sonic Youth – ‘Cross The Breeze (live in Düsseldorf)



with thanks to amnoti for his writeup



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